the end that we fear
is coming
on cold breath and silent feet
don't listen
the whisper of foretelling
cannot be heard
no ear attuned
to the sound of finality exists
don't look
for it is invisible
just somewhere
everywhere
at once
don't touch it
it can't be felt
but inside
where the knowing grows
an uneasy peculiarity
is hiding in the shadows
waiting for the moment
we forget
I take inspiration from the lost and discarded. The once loved and no longer needed. I write and I make art and sometimes I post it here. Thanks for stopping.
Thursday, December 5, 2013
Monday, August 12, 2013
What Kind of Writer Are You?
I have asked myself this question many times, taken online quizzes
and submitted samples for analysis and at the end of it all I’ve determined
that I don’t one hundred percent know what kind of writer I am. I should know. Shouldn’t I?
I know what I like to write. I like to write poetry when I’m particularly
stressed or emotional. I write quickly
without any rules and let the words arrive of their own volition. There was a time when I wrote a poem every
night before bed. I wrote them all at
once, without stopping to edit or revise or allow myself time to think about it
much. And I found this kind of writing gave
me a tremendous sense of release. Other
times I write in vignettes painting a picture with broad gestures and very
little shading. These stories usually arrive as a whole at inopportune moments
and I find myself scrambling for some paper and a pencil and write until the
story is done or my brain kicks in and puts an end to it. Sometimes I write historical fiction. I like the narrative, the flowery prose, the
use of language. And I like to write for
children.
If you asked me what kind of a book I would most like to
publish, the genre I would most like to be known for, I would have to say that
I would like to be known as a children’s author. I’d be over the moon to be able to tell a
story like Kate DiCamillo does or Roald Dahl or Brian Selznick or J.K. Rowling
or Neil Gaiman. I love the imagination
behind children’s fiction. I love the
idea that parents are flawed, that animals talk and that little boys can live
in clock towers or become wizards or be raised in graveyards. It is a magical genre and I want to be a
magician.
Writing for children satisfies the part of me that is
unwilling to grow up. Or is it unable? When I sit down to work on a children’s story
I feel a certain sense of melancholy. It’s
painful. I think it’s fear. I’m afraid that I want it so badly that I’ll
never get it. I feel like I’m 12 years
old with my eye on a new bike and only 3 dollars in my piggy bank. I want the bike, I’m working for the bike,
but there’s no guarantee that I’ll ever get the bike. The thing is that if I don’t do the work I
remove the possibility.
Possibilities are what children’s books are all about.
Today I watched Neil Gaiman’s 2012 commencement speech ‘Make
Good Art’. He talked about worry and how
it kept him from enjoying the journey some of the time. It’s keeping me from enjoying the journey as
well. Not that I’m in the same stratosphere
as Mr. Gaiman as a writer but he is also a human who worries sometimes.
I’ve decided that I am a multi-faceted writer just as I am a
multi-faceted person. I don’t have to
pick one. I just have to make good
art.
Friday, May 17, 2013
Seed
a single bloom
red upon stone
afraid to pluck it
in case there are no more
it withers where it grows
instead of spreading seeds
just a momentary thrill
amidst the cracks
out of place
and ill suited
dried up and then forgotten
red upon stone
afraid to pluck it
in case there are no more
it withers where it grows
instead of spreading seeds
just a momentary thrill
amidst the cracks
out of place
and ill suited
dried up and then forgotten
Abyss
Unable to bridge the gap
between longing and outcome
I lie transfixed
by the ceiling and the way the gray light
leaves smudges in the corners.
Wanting isn't enough
to pull the curtains
let the light in
face the day.
It's not enough
to get out of my own way.
And so the wanting sits
like a parasite to my host
feeding from within
and laying waste to desire
leaving only the burning.
between longing and outcome
I lie transfixed
by the ceiling and the way the gray light
leaves smudges in the corners.
Wanting isn't enough
to pull the curtains
let the light in
face the day.
It's not enough
to get out of my own way.
And so the wanting sits
like a parasite to my host
feeding from within
and laying waste to desire
leaving only the burning.
Wednesday, April 3, 2013
A new take on Maudlin Manor
Once upon a time ago
There lived a pair of twins
Rotten little apples
Stuck their dolls with pins
They looked like little angels
Wrapped in silk and pearls
But they were rotten little devils
Masquerading as little girls
They lived in the house called Maudlin
A family name I suppose
But suited to the children
So very lachrymose
They have a nasty habit
Of staring straight ahead
They may have been alive once
But now they’re very dead
They haunt the Maudlin Manor
Walk the creaky floors
Open up the windows
Slam the wooden doors
Take things that they shouldn’t
And hide them where they can
Walk from room to room
Always holding hands
Tuesday, April 2, 2013
The Story of Maudlin Manor Pt. 1 - 3
Once on a night of cold regret
As I walked a country road
I met a man who offered a ride
Said that it was warmer inside
Said to get in out of the wet
He’d take me as far as I wanted to go
I looked at the man and took his measure
And he seemed a decent chap
The rain beat down in quick succession
Led me to take his proffered suggestion
I shook his hand and called it a pleasure
And then removed my cap
We drove for a bit in the downpour
And the wipers went to and fro
The night grew deeper around us
The forest began to surround us
I said that I’d been there once before
And I knew where I wanted to go
Monday, April 1, 2013
The Peculiar Playground
a poem in the style of Edward Gorey's Gashlycrumb Tinies
A is for Alice who wanted to play
B is for Bonnie who sent her away
C is for Cathy who tried to fit in
D is for Doris unspeakably thin
E is for Eli who breaks out in zits
F is for Francis falling in fits
G is for Gary horribly fat
H is for Helen attracted to that
I is for Ina talks through her nose
J is for Jimmy with terrible toes
K is for Kristin caught in the act
L is for Larry who helped her with that
M is for Mary nose in a book
N is for Neville most likely a crook
O is for Owen whose hair is all wrong
P is for Polly whose arms are too long
Q is for Quentin thinks he’s a looker
R is for Ruthie a cult finally took her
S is for Susan too full of her self
T is for Thomas who thinks he’s an elf
U is for Uri constantly stutters
V is for Victor mind in the gutter
W is for Wendy who’s absent alot
X is for Xander who’s here when he’s not
Y is for Ying of foreign exchange
Z is for Zoe just slightly deranged
Thursday, January 17, 2013
Excerpt from The Flight of Sebastian Bean
The
Flight of Sebastian Bean
by
A.D. McDowell
Stories like this one
always begin in misery.
There
was a time when Sebastian Bean had two parents, a beautiful mother and a handsome
father. They all lived together in a
tall narrow house on a lovely tree lined street in a fashionable area of a
quaint and historic city. Sebastian had
a bedroom of his own and in it he had a wall filled with bookshelves and on the
shelves hundreds of books, so many that his father attached a ladder that
slid on a rail so that Sebastian could reach the books at the top. From the long window above his desk he
could see all the way to the square in the centre of town where a marble
fountain burbled and people fed the pigeons.
And very often in the evenings he would walk with his parents down to
the ice cream shop where he ordered a chocolate peppermint cone that he ate
with great enjoyment. At night his
mother would come in and kiss him goodnight and before he fell asleep Sebastian would
say, ‘I am very lucky’. And he was. He was a very, very lucky boy and then all at
once he wasn’t.
One Sunday morning
Sebastian woke to the sun streaming through his window and the birds singing in
the trees. There was no reason for him
to think that it wouldn’t be another lucky day in his very lucky life. But when he sat up in bed and listened to the
house he was filled with a feeling that he was not used to. Something wasn’t right. He got out of his bed and opened his door and
peered into the hall. What he saw was
his father talking to Doctor Little. The doctor shook his head and put his hand on
the other man's shoulder and patted it twice. Sebastian stepped farther out into the
hall. ‘Father?’ he called and in the
single word were a million questions.
“Go back to your room Sebastian,” said his father. “I will be in shortly”. Sebastian went back to his room and sat on
his bed and the feeling that something was very wrong grew and grew until his
father came in with the news that Sebastian's mother had contracted a terrible
influenza and that he must pack a bag at once and go and stay with his
grandmother, Nanny, so that he didn’t get infected as well. Had Sebastian known how important what he put
into his suitcase was going to be he would have packed more carefully. But he was so worried about his mother he
couldn’t think. His father made him wear
a mask across his nose so that he didn’t breathe in any of the germs that had
made his mother sick and as he passed the door to their bedroom Sebastian
called ‘Goodbye mumma.’ He didn’t know
if she heard him and sadly he would never know for his mother died the next
morning.
Over the next while
Sebastian was sadder than I have words to describe. He missed his mother terribly and to make
matters worse it seemed that his father had forgotten him. Sebastian remained with his grandmother and
only saw his father from time to time and each time his father seemed more of a
stranger to Sebastian. He spoke quietly
and he never remembered to hug Sebastian and always left without taking him
back home. His grandmother told him that his father was sad too and that he
would come around and that time was a great healer. The spring went by and turned to summer and
then to autumn and finally to winter and spring again. And then one day when Sebastian and his
grandmother were working in her flower beds turning over the black dirt and
getting them ready for planting a long black car snaked its way up the drive
and parked in front of the house. Sebastian
stood and dusted his hands off on the back of his pants. The door of the car opened and his father
climbed from the car. “Hello Sebastian!”
he boomed in the voice he used to use.
“I’ve come to take you home!”
Sebastian was so surprised that he could not seem to move. He wanted to run into his father’s arms with
relief, but he couldn’t seem to do anything but stand in one spot with his
mouth hanging open in surprise. Nanny stepped forward and placed her hand on Sebastian’s back. “Well,” she said, “isn’t this
wonderful.” But her voice didn’t sound
excited, it sounded very much like Sebastian was feeling. She was saying the words but still none of
them moved. Sebastian’s father stood
there grinning and Sebastian stood in the same place and his grandmother stood
behind him. They may have stood this way
for a good long time had the other door on the car not opened with a creak
capturing their attention.
“Arthur,” said a dark
velvet voice. “Will you help me
out?” Sebastian’s father hurried to the
other side of the car and extended his hand.
A gloved hand appeared and wrapped itself around his father’s. As Mr. Bean raised his hand a long thin woman
was revealed. She wore a tight fitting
skirt and had an ostrich plume in her hat.
She had a long thin nose to match the rest of her and a wide red
mouth. “Sebastian,” said his father,
“there is someone I’d like you to meet.
This is, well it’s your, I should say... my... wife...your
stepmother.” Suddenly the air in Nanny’s
yard became very still. Even the birds
were shocked into silence. “Hello
Sebastian,” purred the thin woman. “It
is such a pleasure to meet you at last.
Arthur has told me so many things about you I feel as if I know you
already.” Her voice dripped all over
Sebastian and she smiled. He still had
not moved a muscle although his mind had begun to race inside of him. This person, this stepmother person was going
to live with them. Sleep in their house,
in his mother’s bed, use her things, sit in her chair. No it couldn’t be. But as he watched his father’s face and saw
him smiling at the thin woman he realized it was real. Horribly, awfully real. She smiled at Sebastian revealing a row of
well manicured teeth and he was somewhat relieved to see that they weren’t
pointed. “I’m afraid it’s come as a
shock to you,” the thin woman went on, “Arthur, shame on you. I told you he should have been warned.” At last Sebastian found his voice. “It’s nice to meet you,” he managed. Mr. Bean stepped closer to Sebastian and
ruffled his hair. “He’s alright aren’t
you son?” Sebastian was so surprised at
being ruffled by his father that he, for a moment, forgot to be shocked at the
situation that was presenting itself in Nanny’s garden. It had been so long since Arthur Bean had
shown his son any affection at all that Sebastian didn’t quite know how to
respond. Little boys aren’t so different
than puppies really. Even if you haven’t
paid much attention to it a puppy will always forgive his owner at the first
sign of kindness and that is exactly what Sebastian did. In that split second he looked at his father
and smiled and thought ‘maybe it will be alright’. Poor Sebastian, he was so happy for a little
affection he didn’t even hear the other car door open until a very fat and
freckly kind of a voice said, “When is lunch, I’m hungry.”
Sunday, January 13, 2013
Beginnings and Excerpts
Dear reader, won’t you dwell with me within these lines upon
the page. Follow me down cobbled lanes
and up the street where fevers rage.
Tiny thieves with clever hands play their games of chance and
tricks. Eyes made shrewd beyond their
years, little liars, candlewicks. Join
their ranks or risk the outcome. Learn their ways or spill the blood. There is no way to leave this burrough. Unless the bleeders give you up. Hasty choices led you to it. Live this life of fine regret. The die is cast the fate has twisted. Paid in
full this pauper’s debt.
Beginnings
....and as I got closer the landscape began dying, trees
lost their leaves and the air was frigid.
Suddenly the carriage drew to a halt. It heaved and tilted as the driver
climbed down then pulled my bag from its strapping. “This is as far as I go miss,” he said. “Stay on the road straight through, it’s not
much farther.” I stepped out of the
carriage and into the gathering fog. “Can you not take me the rest of the way?”
I asked. “You’ll not catch me in there,”
he said climbing back up into his seat.
He looked down at me and a shadow crossed his features. Then in a more kindly way he added, “It’s not
too late to change your mind miss. Climb
back in. I won’t charge you for the
return.” I paused without meaning to and
then drew myself up and replied. “You
are very kind sir, but I’m sure I shall be fine. Thank you very much.” I stepped back from the lane and he tipped
his hat and turned the horses. As they
left me I felt the overwhelming urge to run after them.
The branches overhead moved to a breeze that didn’t reach
the ground. It seemed they whispered to
me as I began to walk towards what was to be my new home.
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